G6x7 creates layered portraits in which human stories, advanced materials, and precise fabrication become a single physical object.
The practice is led by Gal Fridman, an artist and entrepreneur whose work spans multiple fields of technology and applied research. He has founded companies in neuroscience (Llylia Brains), hydrogen propulsion systems (Aquarius Engines), and branding and visual communication (Design and Shoot). These parallel paths, scientific, industrial, and visual, converge in G6x7 as a unified language of making.
Each work begins with a figure, often iconic, heroic, or instantly recognisable. Around that figure appear the details that usually remain unseen: memories, measurements, private thoughts, fragments of daily life, and traces of the world behind the image.
The works are constructed across separate planes of brushed aluminium, printed acrylic, light, and transparent space. Every layer has a specific role. Some elements are revealed, others are obscured, and the distance between the surfaces creates depth that changes as the viewer moves.
Technology is not the subject of the work. It is the tool that makes the illusion physically possible.
The result is neither a conventional print nor a sculpture, but an image with presence, engineered with precision and created to be experienced in person.
01
Every work begins with a person, a symbol, or a familiar archetype. The heroic image is interrupted by intimate, ordinary details.
02
Imagery is separated across aluminium and museum-grade acrylic, creating physical depth, transparency, reflection, and shadow.
03
Digital construction and controlled fabrication allow every surface, opening, alignment, and distance to become part of the composition.
04
The layers do not illustrate the artwork. Together, they are the artwork.